The stage play (and film...
Illustration
The stage play (and film version) of Camelot begins and ends with a discouraged, war-torn, grim King Arthur talking with a youthful messenger. The boy, out of his element, is caught up with the thought of being on assignment for the king himself. The lad had come "to fight for Camelot." But Arthur gives the boy a far more significant role: "Return to England. And when you have the opportunity, tell everyone who hasn't heard the story, that once there was a place ... and tell it loud and clear, lad."
That's the sort of task our Lord gave Peter, Paul and James. "Forget about swordfights. Here's dynamite. Now, run behind the lines ..." The rest is history. We remember them today, because they did it, and they did it well.
Now it's our turn.
That's the sort of task our Lord gave Peter, Paul and James. "Forget about swordfights. Here's dynamite. Now, run behind the lines ..." The rest is history. We remember them today, because they did it, and they did it well.
Now it's our turn.
